Presidents of musical associations and ensembles tend more often to be merely figureheads. But when you’re also a highly prolific and respected local composer in your own right, then you should expect a part of the action on the night.
With the title Mindful Visions: Metamorphosis, Daydreams and Fantasies, it was clear that the small, yet discerning audience would be in for a thought-provoking time. How much of this would appear truly engaging in the musical sense, however, would always be open to conjecture and subject to the listeners’ individual preferences.
Hopefully I wasn’t the only one present not quite sure what to expect from a Concerto for Beatboxer. But knowing that the work was co-written by Eduardo Reck Miranda, Professor in Computer Music at Plymouth University, the musical credentials should be well assured.
Devonshire Cream is well known across the country, and when Devon Baroque under director, Andrew Wilson-Dickson is on the kind of form it is now, then it, too, deserves to be equally as renowned way beyond the county boundary.
While this year’s annual Ten Tors expedition will be taking place once more in a couple of months, the orchestra that proudly bore the same name since 1998 has now given its final concert back in the same Dartmoor town where it started.
While this was effectively the last Ten Tors Orchestra Gala Christmas Concert as such, conductor Simon Ible ensured that every member of the packed audience still went home full of seasonal cheer and goodwill.
If you asked any choir aficionado to name a large-scale oratorio by Haydn, it would be a safe bet to expect The Creation by way of a reply.