Dartington Community Choir is one of those large-scale vocal ensembles that always seems to have the knack of appropriate programming for any time of the year.
A packed church was ready to greet their relative next-door neighbours for what was an exciting and highly-enjoyable concert, given as part of Tavistock’s ongoing Arts Festival.
There couldn’t have been a better way to finish the current season of the Totnes Early Music Society series, than this delightful recital by Concentus VII.
Presidents of musical associations and ensembles tend more often to be merely figureheads. But when you’re also a highly prolific and respected local composer in your own right, then you should expect a part of the action on the night.
With the title Mindful Visions: Metamorphosis, Daydreams and Fantasies, it was clear that the small, yet discerning audience would be in for a thought-provoking time. How much of this would appear truly engaging in the musical sense, however, would always be open to conjecture and subject to the listeners’ individual preferences.
Hopefully I wasn’t the only one present not quite sure what to expect from a Concerto for Beatboxer. But knowing that the work was co-written by Eduardo Reck Miranda, Professor in Computer Music at Plymouth University, the musical credentials should be well assured.
Devonshire Cream is well known across the country, and when Devon Baroque under director, Andrew Wilson-Dickson is on the kind of form it is now, then it, too, deserves to be equally as renowned way beyond the county boundary.