Playwright and critic George Bernard Shaw wasn’t overly impressed by Mendelssohn’s Elijah, when he wrote that he’d sat through a performance as an act of professional devotion.
When the University of Plymouth Choral Society presents its annual Christmas Concert, you can always expect a varied programme of shorter, and often less-familiar works, excellent young soloists, and, most important, a tangible feeling of genuine enjoyment from the choir.
Nordic Waves might sound more like the name of a deodorant, but it proved the ideal title for this delightful programme of chamber music from Northern Europe,
A light and frothy performance of Mozart’s effervescent Marriage of Figaro Overture provided the perfect opener, with especially neat articulation from upper woodwind, and strings, led with usual aplomb by Mary Eade.
A series of maritime-themed music concerts is being launched at Plymouth University this November.
Although it wasn’t an especially cold autumn evening, the church heating had only just switched on shortly before the performance was due to start.
You always get an adrenaline rush when you’ve enjoyed a really good concert, either as performer or audience member.
Strings are generally regarded as the backbone of any orchestral ensemble, and this quite superb concert by the Ten Tors Strings under conductor Simon Ible not only attested to the skill of the players, but also confirmed why the orchestra, in full rig, can make such a fine sound, too.
Fun, funny, irreverent and saucy is just the way opera should be, which is why Die Fledermaus has had such lasting appeal, and why its the ideal time to breath new debauched life into this classic.
The Honiton Festival kicks off on Thursday, May 5 and has another top class line up as it brings the best of new and established talents in classical music to the South West.