The Ten Tors at Tavistock isn’t just mere alliteration – it’s a well-established annual event that truly marks the final countdown to Christmas, in a delightful moorland setting.
It felt wonderfully apt to round off this splendid Christmas Concert by Dartington Community Choir with a number of congregational carols.
Playwright and critic George Bernard Shaw wasn’t overly impressed by Mendelssohn’s Elijah, when he wrote that he’d sat through a performance as an act of professional devotion.
When the University of Plymouth Choral Society presents its annual Christmas Concert, you can always expect a varied programme of shorter, and often less-familiar works, excellent young soloists, and, most important, a tangible feeling of genuine enjoyment from the choir.
Nordic Waves might sound more like the name of a deodorant, but it proved the ideal title for this delightful programme of chamber music from Northern Europe,
A light and frothy performance of Mozart’s effervescent Marriage of Figaro Overture provided the perfect opener, with especially neat articulation from upper woodwind, and strings, led with usual aplomb by Mary Eade.
A series of maritime-themed music concerts is being launched at Plymouth University this November.