Classically trained violinist and songwriter, Gaelynn Lea is coming to the UK to play a solo set of her haunting music. She’s calling into London, Bristol, Oxford, Manchester and Dartington.
Gaelynn has been bewitching scores of fans with her experimental and ambient takes on fiddle music – an approach that incorporates her love of traditional tunes, songwriting, poetry and sonic exploration.
Of her live performances, Gaelynn Lea said, “My aim is to create a meditative, layered sound that allows the listener’s mind to drift.”
Gaelynn’s work most recently won NPR Music’s Tiny Desk Contest in March of 2016, a competition drawing submissions of original songs from more than 6,000 musicians across the US.
Gaelynn Lea’s musical reach quickly expanded because of the Tiny Desk Contest. She began touring nationally in September 2016, and in December 2016 she performed in Europe for the first time as support for Low’s Christmas tour.
This past summer she performed in the UK at these locations: The Wonder Inn, Green Man Festival, The Green Door Store, The Windmill, and Cafe Oto all across the UK.
Gaelynn’s tour calls into :
December 6 St. Mary’s Old Church, London December 7 The Elephant House, Bristol
December 8 St. Bartlemas Church, Oxford
December 9 The Dartington Hall, Dartington
December 11 Gulliver’s Lounge, Manchester
Gaelynn Lea and her husband Paul have traveled to 37 states and 5 countries so far; she has performed over 150 shows since they hit the road back in October.
“One of my favorite parts of touring is that we’ve met a lot of wonderful people during our travels,” says Gaelynn.
You can find out more about Gaelynn Lea and view her full tour schedule at her website: www.gaelynnlea.com
And here’s a bit more of Gaelynn Lea’s story
Gaelynn Lea was given the opportunity of a lifetime when she won NPR Music’s 2016 Tiny Desk Contest, and she certainly made the most of it. She and her husband Paul quit their jobs, sold their house, bought a van, and hit the road.
Since they left just over a year ago, Gaelynn has played over 200 shows in 39 states and 6 countries. She has performed in the widest variety of venues imaginable – coffee shops, bars, music festivals, elementary schools, nursing homes, colleges, The House of Blues, Music City Roots, The Kennedy Center, The State Department and even BBC World News.
Stop you in your tracks sound
This tale of adventure wouldn’t be particularly remarkable if the music failed to deliver. But Gaelynn Lea has developed a “stop you in your tracks sound”. (Bob Boilen, All Songs Considered) Playing traditional fiddle music and original songs using her violin and a looping pedal, Gaelynn Lea’s “music is imbued with a melancholic poetry so potent it must be heard to believed.” (Isaac Feldberg, Boston Globe)
Gaelynn Lea performs from her electric wheelchair. She began playing violin 20 years ago after a creative music teacher helped her to adapt a playing style that suits her frame.
Lea holds her instrument like a tiny cello and loops her classically trained rhythms and melodies “to create a symphonic cacophony that is both glorious in its reach and profoundly introspective”. (Collins de la Cour, Ear to the Ground)
Her original songs explore the contrasting nature of existence – dark and light, birth and death, anger and forgiveness, sorrow and joy.
Gaelynn Lea’s live performances can be overwhelmingly soul-stirring – Bob Boilen reported that “there was hardly a dry eye” at her 2016 Tiny Desk Concert. However, she is not all seriousness during her shows. In fact, Gaelynn is disarmingly charming onstage, “at once self-deprecating and plainspokenly funny”. (Chris Riemenschneider, Star Tribune) She regales the audience with humorous anecdotes in between songs, putting those in attendance at ease.
Although the past year has been spent mostly on the road, Gaelynn Lea has somehow found the time to work on her fourth studio album; If Only Love Would Be Our Guide is expected to be released in September 2018.
Life’s greatest mysteries
It is an eclectic collection that runs the gamut sonically – from pensive to luscious to aggressive to decidedly pop – and if that’s not enough variety, there’s even a Finnish fiddle tune! The connecting thread of this album is Gaelynn Lea herself – a singular voice and violin guide the listener on a journey which touches on some of life’s greatest mysteries.
The structure of these tracks made this album impossible to create alone, so Gaelynn Lea enlisted the help of some musical friends to bring her new album to life. This arrangement is quite a departure for Lea, who up until this point has crafted most of her music using only a few tools: a violin, a voice, and a looping pedal.
Her band is comprised of several Minnesota heavy-hitters including Al Church, Dave Mehling, Marty Dosh, Andrew Foreman, and Alan Sparhawk. Their creative influence and musicality is evident on every track, though the band’s contributions never cover up or diminish the poignancy or presence of Gaelynn’s music. Rather the new album allows for a fuller, more complete expression of her heart and soul.
Disability awareness, the power music, and leading an enriching life
In addition to performing and recording, Gaelynn also loves to do speaking engagements about disability awareness, the power music, and leading an enriching life. She has a congenital disability called Osteogenesis Imperfecta, or Brittle Bones Disease.
Gaelynn is a strong voice in the disability community; she uses her music as a platform to advocate for people with disabilities and to promote positive social change. Gaelynn Lea believes society must prioritize accessibility so people with disabilities can participate in their communities and use their gifts without barriers or discrimination.
The Songs We Sing Along the Way (bandcamp)
(from a press release)
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