Orchestral concerts often include one concerto, but two are unusual, unless you’re talking shorter works from the Baroque. Three is virtually unheard of unless you happen to be Torbay Symphony Orchestra (TSO), who not only played the first three Beethoven Piano Concertos on one night, but followed this with the Fourth and Fifth the next day.
Picking a lunchtime recital programme is not unlike planning a midday meal. Shorter and immediately appealing items are generally better tolerated than something heavy and ponderous, and which then might need the rest of the afternoon to digest.
Although the forecast balmy weather hadn’t materialised, there were more than enough pyrotechnics allied to a gloriously warm tone to ensure the heat was well and truly turned on throughout this very enjoyable and varied recital of music inspired by the Mediterranean, and from composers in its vicinity.
The Ten Tors at Tavistock isn’t just mere alliteration – it’s a well-established annual event that truly marks the final countdown to Christmas, in a delightful moorland setting.
Playwright and critic George Bernard Shaw wasn’t overly impressed by Mendelssohn’s Elijah, when he wrote that he’d sat through a performance as an act of professional devotion.
When the University of Plymouth Choral Society presents its annual Christmas Concert, you can always expect a varied programme of shorter, and often less-familiar works, excellent young soloists, and, most important, a tangible feeling of genuine enjoyment from the choir.
Nordic Waves might sound more like the name of a deodorant, but it proved the ideal title for this delightful programme of chamber music from Northern Europe,