University of Plymouth Choral Society concerts always tend to have something special about them, and none more than the Christmas event. However, this year’s event just seemed to have some extra charisma.
This stimulating bit-by-bit reassembly of the string-quartet medium, opened with a confident and expressive performance of the Sarabande and Double from Bach’s First Partita for solo violin, by quartet-leader Pierre-Emmanuel Largeron.
Although the forecast balmy weather hadn’t materialised, there were more than enough pyrotechnics allied to a gloriously warm tone to ensure the heat was well and truly turned on throughout this very enjoyable and varied recital of music inspired by the Mediterranean, and from composers in its vicinity.
Whether you’re into Shakespeare or not, he has provided the stimulus for a lot of music over the last 400 years.
Most of us can remember our school concerts, whether we took part, or were just there to listen.
Dvořák’s American Quartet got the second recital in a three-part series devoted to music’s ties with the world’s greatest oceans and seas off to a spirited start.
Unlike classical music, performances of contemporary works often happen once only.
When the University of Plymouth Choral Society presents its annual Christmas Concert, you can always expect a varied programme of shorter, and often less-familiar works, excellent young soloists, and, most important, a tangible feeling of genuine enjoyment from the choir.
Nordic Waves might sound more like the name of a deodorant, but it proved the ideal title for this delightful programme of chamber music from Northern Europe,