Plymouth Symphony Orchestra with Alexander Ullman (piano)
If Saint Cecilia – patron saint of music and musicians – was up there watching a live streaming of Plymouth Symphony Orchestra’s (PSO) latest concert, which took place appropriately enough on her annual saint’s feast day, I’m sure she would have been really delighted with what she saw, and heard.
Continue reading PSO create musical fireworks and Alexander Ullman shows the panache of his immense pianist power at Plymouth Guildhall (review)
Wednesday November 22 in Plymouth Guildhall at 7.30pm
Join Plymouth Symphony Orchestra for a programme of Brahms, Albinoni, Borodin and Rachmaninov, featuring pianist Alexander Ullman.
Continue reading Plymouth Symphony Orchestra welcomes pianist Alexander Ullman
Sunday November 26 in Plymouth Guildhall at 7.30pm
Monteverdi’s Vespers has been described as a ‘towering masterpiece’. It is intimate and grand, prayerful and dramatic, exalted and sensual – a dizzying array of textures and sonorities in brilliant instrumental writing, opulent choruses, and moving solo arias and duets.
Continue reading Plymouth Philharmonic Choir perform Monteverdi’s Vespers
The city has always been fortunate to have an amateur orchestra of the size and quality of Plymouth Symphony Orchestra on its doorstep.
Continue reading Plymouth Symphony Orchestra in heroic mood at Plymouth Guildhall (review)
Plymouth Symphony Orchestra has featured music from the movies at previous concerts. But it’s never sounded like this before.
There had been but few changes of personnel among the ranks and, as ever, conductor Anne Kimber gave her absolute all throughout.
But while a conductor can infuse music with an individual interpretation, they still need someone to communicate this to the players in more practical terms.
In Cath Smith the orchestra has now got a superb leader who not only looks after technical issues, but brings such a sense of vigour, enthusiasm and sheer enjoyment to her role, and which immediately inspires the orchestra as a whole.
This was so evident not only in the strings’ gloriously-rich rendition of Born Free, or the precision and excitement in the jagged, percussive rhythms of Pirates of the Caribbean, but also in the way it encouraged such fine woodwind solo playing on the night, and gave real confidence to the horn section, who often can appear so very exposed in this kind of writing.
Through the auspices of Plymouth Music Accord there were many young people present, who could only have been truly motivated by what they were hearing – and hopefully might even come again.
As for the rest of the large audience, two separate standing ovations said it all – a quite outstanding performance from the city’s only symphony orchestra.
PHILIP R BUTTALL