Outstanding student talent spanning a range of arts disciplines will go on show to the public at a free exhibition opening across Plymouth.
The Gala Concert of this year’s Peninsula Arts Words and Music Festival was in many ways a joyful affair, full of schmaltzy melodies, lush orchestrations, conductor Simon Ible’s now-legendary successful mix of styles, and the contribution from soprano soloist, Jeni Bern.
When a Cabaret Duo gets to perform at a private function in Clarence House in front of members of the Royal Family, it must really be something special.
With the title Mindful Visions: Metamorphosis, Daydreams and Fantasies, it was clear that the small, yet discerning audience would be in for a thought-provoking time. How much of this would appear truly engaging in the musical sense, however, would always be open to conjecture and subject to the listeners’ individual preferences.
Hopefully I wasn’t the only one present not quite sure what to expect from a Concerto for Beatboxer. But knowing that the work was co-written by Eduardo Reck Miranda, Professor in Computer Music at Plymouth University, the musical credentials should be well assured.
This stimulating bit-by-bit reassembly of the string-quartet medium, opened with a confident and expressive performance of the Sarabande and Double from Bach’s First Partita for solo violin, by quartet-leader Pierre-Emmanuel Largeron.
The 12th edition of the Peninsula Arts Contemporary Music Festival – taking place at Plymouth University from 24-26 February 2017 – will explore the reinvention of the human voice.