With the title Mindful Visions: Metamorphosis, Daydreams and Fantasies, it was clear that the small, yet discerning audience would be in for a thought-provoking time. How much of this would appear truly engaging in the musical sense, however, would always be open to conjecture and subject to the listeners’ individual preferences.
Hopefully I wasn’t the only one present not quite sure what to expect from a Concerto for Beatboxer. But knowing that the work was co-written by Eduardo Reck Miranda, Professor in Computer Music at Plymouth University, the musical credentials should be well assured.
This stimulating bit-by-bit reassembly of the string-quartet medium, opened with a confident and expressive performance of the Sarabande and Double from Bach’s First Partita for solo violin, by quartet-leader Pierre-Emmanuel Largeron.
The 12th edition of the Peninsula Arts Contemporary Music Festival – taking place at Plymouth University from 24-26 February 2017 – will explore the reinvention of the human voice.
Having already commented on the piano tone, it was somewhat worrying to see it miked up this time, where every sound was now going to be amplified, and played back through the PA system – something that tends to make things worse, rather than better.
What happens when you combine the pure tones of an internationally renowned mezzo soprano and the complex technology of a $15million quantum supercomputer?
This unique happening involved three consecutive events, linked by the theme of memories – those of loved ones now no longer here with us.